"Blue Domes" Selective Colour Photo Art Collection


Selective Colour "Blue Domes" Gallery.

Blue Domes selective colour picture gallery with photos of The Blue Domed churches of Santorini to download on line or buy as prints

 

Pictures of the Library of Celsus, Ephesus, Turkey


Pictures of The Great Library of Celsus at Ephasus.
Ephesus pictures, photos of the library of Celsus & Images of the Roman ruins. See & buy Ephesus stock photos or Ephesus photo art prints & cards. Ephesus ( Ephesos; Turkish Efes) was an ancient Greek city, and later a major Roman city, on the west coast of Asia Minor, near present-day Sel├žuk, Izmir Province, Turkey. It was one of the twelve cities of the Ionian League during the Classical Greek era. In the Roman period, it was for many years the second largest city of the Roman Empire; ranking behind Rome, the empire's capital.
One of the landmark buildings of Ephesus is the library of Celsus. Completed in 135 AD by Celsus, son of Gaius Julius Aquila, the library of Celsus stored over 12,000 scrolls and was one of the great libraries of the ancient world. The library also served as a mausoleum for Celsus whose sarcophagus was buried below the library floor. The library of Celsus has become one of the iconic examples of Roman architecture.
Ephesus is also linked with St Paul who lived in the city fro some time and wrote the Epistle to Ephesians while he was in prison in Rome (around 62 AD). Although St Paul was driven from Ephesus by its population who preferred their Pagan traditions to the new monotheistic Christian religion, Ephesus was probably an early strong hold of Christianity and St John may well have written his Gospel in Ephesus. Ephesus was one of the seven cities addressed in Revelation (Revelation 2:1–7), indicating that the church at Ephesus was strong.
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Art Prints of Cappadocia, Turkey


Art Prints of Hot Air Balloons of Cappadocia, Turkey.

Art pictures, photos & images of Cappadocia ( Capadocia, Kapadokya, ) hot air balloons, Anatolia, Turkey. Selective colour pictures of Hot air balloons cruising slowly over Cappadocia amongst its spectacular rock formations. The whole of Capadocia has been covered with hundreds of meters of volcanic ash that has compressed into Tufa rock. Water has eroded into the landscape leaving valleys with steep cliffs and towers of rock known as fairy chimneys. Tufa is soft and since prehistoric times people have made cave dwellings which are linked from small doorways via internal stairs that run up inside the fairy chimneys or cliff faces. This created easy to defend rock castles that could house towns of several thousand people like that at Uchisar, where the rock houses run the full height of a towering rock face.

As the sun comes up over Goreme every morning the sky fills with huge hot air balloons. They glide gracefully into the sky above the fairy chimneys and then slowly descend into the valleys and float amongst them. The skill of the hot air balloon pilots is breathtaking as they manoeuvre between the fairy chimneys giving their passengers close up views of the strange rock formations and the rock houses they contain.

Capadocia is a truly unique part of the world. Its rock formations and rock houses create an incredible place to explore which is why it is high on travellers to Turkey's list.

Buy selective colour photo art prints of Cappadocia Hot air balloons on line.



 

Pictures of The Bridestones North Yorkshire


Pictures of The Bridestones, North Yorkshire England.

Pictures of the Bridestones nature reserve, Dalby forest in the North Yorks Moors National Park. The Bridestones are weathered Jurassic sandstone outcrops that stand on the edge of a valley of ancient woodland in Dalby forest. Some of the Bridestones are cylindrical towers whilst others have been weathered at their bases to create rocks formations that look like they may topple at any moment. There are many so called Bridestones across the neolithic landscape of Britain, some man made and some natural formations like those in Dalby. Many of the Bridestone sites are associated with pagan rituals and their purpose is unknown yet the name Bridestones have been passed down to us from antiquity. These ancient Bridestones and set in Site of Scientific Interest with rare plants like the insect catching sundew.



 

Pictures of The Blue Mosque, Istanbul Turkey


Pictures of The Blue Mosque Istanbul, Turkey.

Pictures, images & photos of the iconic Sultan Ahmed Mosque (Sultanahmet Camii ) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 commissioned by Sultan Ahmed I when he was 19. the Blue Mosque draws the inspiration for its design from Hagia Sophia that stands opposite it. The design of the Blue Mosque is a high point of the classical period being a fusion of Ottoman & Byzantine elements. It was designed by Mehmet Aga, its second architect as the first was executed because his skills were found wanting.

Normally mosques have a maximum of 4 minarets, the exception being the Grand Mosque in Mecca, the focal point of the Islamic world. It shows grand designs of Sultan Ahmet that the Blue Mosque was controversially designed with 6 minarets also. The sixth minaret of the Blue Mosque though was built when Sultan Ahmet built a seventh minaret on the mosque in Mecca. The high central dome of the Mosque is surrounded by 8 smaller domes creating cascading tiers running down to a central courtyard, the biggest of any Ottoman mosque.

The interior of the mosque is lined with 20,000 Iznik tiles with more than 50 tulip designs as well as fruit, flowers & cypresses. Over 250 stained glass windows with intricate designs light the interior.

Sultan Ahmet lived long enough to see the splendour of the Blue Mosque and his Mausoleum is just outside the walls.

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Pictures of Assyrian Sculptures of The British Museum


Pictures of Assyrian Sculptures.

Pictures, images & photos of ancient Assyrian relief sculptures. The Assyrians existed as an independent state fro 2400 B.C to the end of the 7th cent. B.C in Mesopotamia, present day Iraq The Assyrians became a power rich empire that showed its great conquests in exquisitely intricate relief sculptures on its palace walls. Assyrian art was designed to overwhelm the viewer. Huge mythical beasts stood either side of its palace and city gates pronouncing the wealth and prestige of the Assyrian rulers.

The detail in the relief sculptures is sumptuous and gives a very clear understanding of the intricately woven cloth that made up the nobilities clothes. Scenes of hunting are popular with the rulers killing lions with bow & arrow and spears from their chariots. These hunting scene are not for the faint hearted with lions shown graphically dying or dead. The relief sculptures of the rulers great victories are equally revealing. The victorious Assyrians humble the defeated and scenes of refugees and executions show the fate of many from the ancient world.

The scale and craftsmanship of Assyrian sculpture is compelling and the narrative content is still quite understandable to the modern eye giving a clear view of the ancient world of the Assyrian rulers.

But as stock photos or photo art prints on line.



 

Pictures of The Acropolis Athens


Pictures of The Acropolis of Athens.
Pictures of the Acropolis and its Parthenon temple & the icon statues of the Erechtheion. The Acropolis was the ancient citadel of Athens sitting on a rock with steep cliffs 150m above the city of Athens, Greece. The Acropolis was inhabited from Neolithic times and in Archaic times around the mid 6th cent BC a temple was built there.
During the Golden Age of Athens under Pericles, 460-430 BC, many major Greek Temples were built. During this period the Acropolis became the fortified treasury of the Delian League and its funds were used to build the Parthenon which was intended a symbol of the might of Athens. The Parthenon is considered to be the pinnacle of development of the Doric order. Greek architects used optical illusions to make the Parthenon look symmetrical. The columns bulge as they rise and lean slightly inwards. The west front is built slightly higher than the east front to increase perspective and counter the visual effect of curvature between two parallel lines of columns. The architects of the Parthenon used endless devices to bring the building close to the mathematical Golden Ratio, an algebraic equation used for geometric relationships by artists and architects, so creating and aesthetically pleasing proportion to the building and its art.
The sculpted friezes and statues of the Parthenon are also thought to be the pinnacle of Greek classical art. The sculptures from the Pediment of the Parthenon depicted scenes from the birth and life of the goddess Athena. The Metope panels depicted scenes of a battle between the Lapiths & Centaurs ( see these in our Elgin Marble picture gallery : http://bit.ly/I318LD ). The friezes depict the annual procession to the Parthenon to make sacrifice to Athena.
The other great icon of the Acropolis is the "Porch of the Maidens" on the Erechtheion temple. Built between 421 and 405 BC the temple was dedicated to the Greek hero Erichthonius. The sculptor and mason of the structure was Phidias, who was employed by Pericles to build both the Erechtheum and the Parthenon. The "Porch of the Maidens" uses caryatids which are female figures used as supports instead of columns.
Today attempts are being made to restore the Parthenon but it has been so abused over the centuries that little remains. When the Roman Empire converted to Christianity the Parthenon became a church. Its pagan artworks were damaged and cult images of Athena were taken to Constantinople. In 1456 Athens fell to the Ottomans are became part of the Ottoman Empire. The Parthenon then became a mosque with a minaret. In 1687 the Venetians attacked Athens. The Acropolis was fortified by the Ottomans and the Parthenon was used as an arsenal. A Venetian mortar made a direct hit on the Parthenon and the arsenal exploded destroying the internal building, the columns of the south side and damaging its sculptures. In 1801 the British Ambassador at Constantinople, Lord Elgin, obtained permission to make casts of what was left of the sculptures on the Acropolis and remove them. Controversy still runs high about this act today.
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